By 2021, he was ousted as director of MO.CO. MO.CO.PANACÉE) and the director of the Contemporary Art Center of Montpellier, France (aka MO.CO.) In 2018, he joined a group of arts professionals - among them the artists Christian Boltanski and Jean-Luc Moulène – in signing an open letter published by the newspaper Libération, calling on the city of Paris to abandon the installation of Bouquet of Tulips by Jeff Koons. In 2015, Bourriaud was appointed director of the La Panacée art centre (a.k.a. By 2015, he was dismissed from his post by the city, for “reasons related to a change of direction,” according to a Facebook status posted by Bourriaud at the time.) MO.CO., 2015–2021 In 2014, he was part of the selection committee that chose Giuseppe Penone, Nedko Solakov and Liam Gillick as the winners of the European Central Bank’s international competition for site-specific artworks at its new premises. During his time in office, he organized the 2011 edition of the Athens Biennale, the 2014 edition of the Taipei Biennial, and the 2015 edition of the Kaunas Biennial. École Nationale Supérieure des Beaux-Arts, 2007–2010 īourriaud was the Director of the École Nationale Supérieure des Beaux-Arts, an art school in Paris, France, from 2011 to 2015. In 2009 he curated the fourth Tate Triennial, titled Altermodern. īourriaud was the Gulbenkian curator of contemporary art from 2007 to 2010 at Tate Britain in London. During his time at Palais de Tokyo, he also served on the team behind the first and second editions of the Moscow Biennial, in 20, respectively. With Jérôme Sans, Bourriaud cofounded the Palais de Tokyo in Paris, where he served as codirector from 1999 to 2006. He was also one of the 13 co-curators of the “Aperto” section of the 1993 Venice Biennale. Through these encounters, meaning is elaborated collectively, rather than in the space of individual consumption.Nicolas Bourriaud (born 1965) is a French curator and art critic, who has curated a great number of exhibitions and biennials all over the world.īourriaud was the Paris correspondent for Flash Art (1987–1995) and the founder and director of the contemporary art magazine Documents sur l'art (1992–2000). Rather than the artwork being an encounter between a viewer and an object, relational art produces intersubjective encounters. In Relational art, the audience is envisaged as a community. This refers to the law enacted in France that made it illegal for women to wear headgear, such as a niqāb, that covers their face in public. The paradoxes called upon are that Mona Lisa also wears a veil, the one that is socially approved. Bourriaud claims "the role of artworks is no longer to form imaginary and utopian realities, but to actually be ways of living and models of action within the existing real, whatever scale chosen by the artist."Īn example of this is "Frenchising the Mona Lisa", where artist Amir Baradaran invited patrons of the Louvre Museum in Paris to experience the Mona Lisa draped in a French flag in the style of a hijab (the artist used Augmented Reality application). Within this concept, the artwork creates a social environment in which people come together to participate in a shared activity. The term was first used in 1996, in the catalogue for the exhibition ‘Traffic’ curated by Bourriaud at CAPC musée d'art contemporain de Bordeaux, and then developed in 1998 in Bourriaud’s book ‘Esthétique relationnelle’ (Relational Aesthetics). The artist, in this sense, gives audiences access to power and the means to change the world. Bourriaud saw artists as facilitators rather than makers and regarded art as information exchanged between the artist and the viewers. He recognized a growing number of contemporary artists used performative and interactive techniques that rely on the responses of others: pedestrians, shoppers, browsers, the casual observer-turned-participant. 21, Seventeen-foot Ceiling or Lower Pyrrole Orange, Vat Orange (to Franz West) + PUSH COMES TO LOVE + Marino Formenti Wien, AT, 2012 - Stephen PrinaĪrt movement identified in the 1990s by Nicolas Bourriaud, a French curator and art critic.
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